Old Quarry

Guilford, Connecticut

Minimalist sculptor Tony Smith designed this house, in 1953, as part of a unique suburban subdivision set within a former waterfront quarry. During an exacting architectural renovation, we took the site’s own granite—quarry refuse and bedrock—as our primary medium, reordering and manipulating the stone to heighten the experience of the found conditions and to integrate the building volumes with the site’s larger patterns.

On this parcel, which partially floods during tide surges, the house was set on piloti, and much of the rough post-extraction condition remained.
The original Tony Smith house to the right and the pavilion to the left
Tony Smith, Smoke, 1967
Japanese Six-fold Screen, Monoyama Period. We saw the landscape as a companion to the abstraction of the Tony Smith house. We played with distance, scale and metaphor to connect to the history of the quarry and the Thimble Islands.
Granite gathered on site takes on multiple functions--at times highly ordered, at times slightly edited as found in the remnant borrow pit.
The homeowners have found a domestic retreat where the essential character of Old Quarry has been unearthed, not carpeted over.

Where pockets of soil could be made within the rocky formations, new trees were planted as part of a woodland restoration. For each of the trees removed—mostly Norway Maples—a new diverse crop of trees, well-adapted to this environment, have been planted. On the ground plane, years of hand weeding and organic maintenance practices have conquered invasive exotics, allowing a seedbed of scrappy natives to take hold.

In areas disturbed by construction, herbaceous and woody plants that remain low to the ground—ferns, bearberry, lowbush blueberry—were selected to emphasize the shape of the ground itself and to preserve an open view corridor through the site. Sandy soils best suited to periodic inundation by tidal flux replaced the previous owner’s garden bed loam. Rainwater harvesting and reverse osmosis provide controlled irrigation to manage the intense swings in soil moisture endemic to this condition.

Our work creates occupiable ground for walking and exploring and a context strong enough to respond to the sculptural clarity of the building

By 2006 when the new owner bought the house, decades of benign neglect had made the site physically and visually impenetrable.
A vein of surficial stone extends the vocabulary of the quarry into the realm of the house
The granite was turned and worked just enough to create level, steady paths.
We developed the masonry detail on site with the landscape contractor to find the right balance between roughness and refinement
On a site with little grade change, the simplification of the ground into a legible plane amplifies the drama and dynamism of the borrow pit and tailings pile.
Testing jointing stone options during construction
Our response to the site was not a manicured suburban landscape, but one that celebrated the found conditions of the quarry

Editing = Making

The landscape is a result of editing as much as making. A careful process of removals, especially of invasive exotics, shapes a fluid and continuous space of habitation below the canopy. On the ground plane, years of hand weeding and organic maintenance practices have conquered invasive exotics, allowing a seedbed of scrappy natives to take hold. Iterative and targeted interventions to the landscape continue to be investigated, responding to the homeowners use of the site.

Edits to the planting palette have occurred in the years since the renovation’s completion, focusing on tuning the planting to the challenges of the site and climate change.
Current work at the site includes redefining the relationship between the house and the water’s edge
Long Island Sound. The historic seawall was lost as a result of Hurricane Irene
Seawall blocks being tested, which will delineate a clear edge to the plane of lawn extending from the house plinth and buffer the property from storm surges.